I'm dedicating this post to my favourite TV show of all time: Doctor Who. Like every great show, it's had its ups and downs, so in this post, I'm going to celebrate my top 5 favourite Doctor Who episodes, along with the 5 that I'd most like to throw into a black hole. So let's start with the lower end of the scale.
LOWS:
Honourable mention to:
Crimson Horror - For completely undermining the character of the Doctor.
A Town Called Mercy - For managing to make ambiguous morality boring.
Closing Time - For defeating the Cybermen with love.
The Idiot's Lantern - For being written by Mark Gatiss
5. Fear Her by Matthew Graham from Series 2 -
Series 2 was a really polarising series. It contained some real gems but for every gem, there was a Fear Her. It is a very poor episode, with moments including David Tennant's Doctor carrying the Olympic Torch to the London 2012 Olympics (no really) and the TARDIS materialising the wrong way round (again, really). The fact was so much about this episode was poor. The secondary characters were annoying, especially the girl with the raspy voice and her ability to draw characters out of existence. It's never explained how she does this, or why she doesn't draw Rose out of existence the way she does the Doctor when she sees him to be a threat. The idea of a child's biggest monster being her father is interesting but the lack of threat, overly emotional feel and general childish feel to this episode earn it a place in my top 5.
4. Night Terrors by Mark Gatiss from Series 6 -
Now I really hate Mark Gatiss. The fact that two of his episodes very nearly made this list (Idiot's Lantern was very lucky not to) says everything. Of his 6 episodes, I find only one of them to be any better than average and that not by much. But Night Terrors was the low point of his writing for me. The China Dolls aren't that scary, the whole feel of the episode is off, there's another annoying child and it's just not that interesting. Rory and Amy are bit-part players at best, there's just no real tempo or feeling behind this episode and it really fails to convince. It was the low point of series 6 and one of the low points of Doctor Who for me.
3. Journey's End by Russell T Davies from Series 4 -
Of all the episodes on this list, this is by far the most controversial. But there are so many problems with this episode, I don't know where to start. After a somewhat promising set-up, with the almighty Doctor regenerating cliffhanger, it's no surprise this episode was so highly viewed, skewing the rest of series 4's viewing figures up with it. But the resolution to the cliffhanger is poor, with 10 merely pouring all his regen energy into his hand (what?) and for some reason deciding not to change. This leads onto one of the main problems with the End of Time which is there is no reason for him not to want to change body, other than because RTD didn't want him to, and it was a cheap grab for viewers. The fact that an entirely new Doctor/Donna meta-crisis grows out of this hand when Donna touches it (what?) and some of this feeds back into Donna (what?) causing her brain to burn up until the Doctor removes all knowledge of him (what?) is basically nonsensical and the very cheap way in which Davros defeats both Doctors plus all his companions is ridiculous. We see millions of Daleks, but they're not even remotely threatening and too much of the episode is focused on the companions. For all the build up of Rose's return, she also does nothing in the episode and basically, it feels like Davies has thrown in too many elements and it's frankly a complete mess that makes no sense and manages to remove the dignity of most of the characters in the episode. I hate it.
2. The Doctor, The Widow and the Wardrobe by Steven Moffat, Xmas 2011 -
Why Moffat? Why? What possessed you? How could Doctor Who's greatest writer (IMO) get it so wrong? This episode is an absolute calamity from start to finish. We get two good minutes at the start as the Doctor runs through an exploding spaceship, before magically falling to Earth and surviving ala Tennant (does nobody remember Logopolis?) and two good minutes at the end as he goes to tell the Ponds he is still alive (the only scene preventing this being worse than Number 1 on the list) but everything else is awful. Claire Skinner is utterly appalling, my least favourite "companion" by a mile, she is simply impossible to like. Arrogant to the extreme, condescending and nowhere near as emotional as the Moff tries to make her. She is all the problems with a Moffat character hammed to the max. The comedic villains don't get nearly enough screen time or any sort of punishment for their actions and the resolution to the episode is predictable, overly emotional and quite frankly sexist. The Doctor plays literally no role in the episode and is completely sidelined because of the fact that he isn't a mother (what?) as Madge manages to guide an entire forest through the time vortex and save her husband. But the worst thing is, that isn't even what bothers me about this episode. This episode, commits quite frankly, the cardinal sin. It is boring. It is slow, nothing happens for about 45 minutes and by the half hour mark I just wanted it to be over. The whole purpose of the show of any TV show, is to entertain. The minute I get bored, you've lost me as a viewer.
1. Love and Monsters by Russell T Davies from Series 2 -
Was there ever any doubt? I may seemingly be jumping on a bandwagon here but there is a reason that the majority of Doctor Who fans hate this episode and are ready to push RTD under a bus for its existence. In my opinion, Doctor-lite episodes are a mistake. Take out the main character and you take away what gives the show its essence. Take out both main characters and you're completely reliant on the supporting cast, which here doesn't do its job. I like Marc Warren, but here he has an almost impossible job. Jackie Tyler is a character I cannot stand, Peter Kay as a villain is almost always going to be a mistake and the simple fact that they let a 9 year old meant they were heading for a recipe for disaster. The monster itself is just plain stupid and the fact that faced by said monster, Rose rounds on Elton for bothering her mother just sums up how annoying, selfish and ignorant the character of Rose is. The ending is stupid and quite frankly borderline offensive for making a blatant blowjob reference on a show aimed at children as much as adults. This feels like a parody of Doctor Who. In truth, it feels a lot like the Comic Relief special starring Rowan Atkinson, it's just that tragic.
HIGHS:
Honourable mention to:
The Eleventh Hour
Doomsday
The Wedding of River Song
Time of Angels/Flesh and Stone
5. The Impossible Astronaut/Day of the Moon by Steven Moffat from Series 6 -
Series 6 kicked off in style. This two-parter had everything. The razor-sharp wit was evident in the dialogue, as it is in any Moffat script, but made all the better by the appearance of River Song, whose back and forth with the Doctor in this two-parter is by far the best of the series and probably the best of any series. The Silence are a terrifying concept as a monster and they are executed brilliantly. Although this two-parter raises more questions than it answers, you can't blame it if some of them are unsatisfactorily cleaned up. But killing your main character 10 minutes into a season takes real balls and not only does Moffat do this, but he produces an excellent two-parter with a brilliant resolution that feels like proper Doctor Who. The way 11 defeats the Silence is pure brilliance, and the showdown speech is still one of my favourite Who moments. An excellent start to a somewhat shaky series.
4. The Pandorica Opens/The Big Bang by Steven Moffat from Series 5 -
This two-parter had it all. River Song. A fez. Wibbley-wobbley-timey-wimey. Stone Dalek. Dismembered Cybermen. A box as old as time, a prison for the most feared monster of all eternity. Paradoxes galore. It was brilliant. The set up was excellent, as everything that hates the Doctor chases him through time and then races to the Pandorica, the ultimate prison. The twist that it was the Doctor himself that the Pandorica was made for is not entirely unexpected, but still absolutely brilliantly executed and the speech that precursors it as the Doctor wards off the bad guys is arguably Matt Smith's finest moment. The fact he turns around afterwards and says that it'll keep them squabbling for half an hour is fantastic. In amongst all this, Rory is magically back from the dead and the twist that he is an Auton is absolutely stunning. And then THAT cliffhanger. Rory shoots Amy, River is trapped in the TARDIS as a mysterious force blows it up and the Doctor is desperate and begging as he is locked in the Pandorica. Stunning. And then the pay off is just as good. It's a madcap 45 minutes of running about and insane time travel. Moffat has always been the King of paradoxes and here he throws out the rulebook as the Doctor desperately fights to reboot the universe. Using the Pandorica to relite the fire and reboot the universe is genius and the stone Dalek is executed beautifully. The ending is also fantastic, as the Doctor tearfully says goodbye to young Amy and the inevitable surivival is brilliant. And we even get hints at River's future. Loved every second of it.
3. Utopia by Russell T Davies from Series 3 -
For half an hour or so, Utopia is a very standard Doctor Who episode, all running about and this and that. The set up is fantastic, Professor Yana desperately fighting for his people to reach Utopia and escape the end of the universe. Humanity's last battle for survival. Plus Captain Jack is back and this is as good as he gets for me, the scene where he and the Doctor catch up when he's in the radiation chamber is quality. Then the episode goes mental, kicking off the best 15 minutes of television RTD and arguably anyone for Doctor Who has produced. The realisation that Yana is a timelord with a fob watch, followed by the Doctor's realisation and his words: depends which one, lead us to a deep sense of foreboding and then, in some stunning acting from Derek Jacobi, the character of Yana completely changes. He is suddenly sharp, evil for all to see, a stunning portrayal of the Doctor's most dangerous enemy. His whispered announcement of who he is, followed by making the Doctor say his name, are eerie at best and his regeneration into John Simm is as shocking as it is inspired. The Doctor is left at the end of the universe, with no TARDIS and the Master is free to terrorise. What a cliffhanger.
2. The Name of the Doctor by Steven Moffat from Series 7 -
The Moff does it again. This is an episode of pure brilliance, filled to the brim with fanboy references and glorious moments. The realisation that Clara is placed throughout the Doctor's timestream is fantastic and we get to see flashes of all his previous incarnations. We see River and Clara interact in the most awkward of ways and the way that only Clara can see her for most of the episode is very cleverly done and the scene between 11 and River near the end where he explains he can always see her and can't bring himself to say goodbye is truly heart-breaking. Jenny, Vastra and Strax are excellent here as is the Great Intelligence and his henchmen Whispermen as villains, let's hope they get better development than they did here. The way the Doctor's name was worked in was very clever (and kudos to several people who were smart enough to guess what it was because I had no idea) and the timestream element to it was a brilliant payoff to the Clara mystery. But what really kicks this episode into a completely different gear is its ending. Still unresolved, but with both The Doctor and Clara in his own collapsing timestream, they encounter a version of the Doctor that Clara didn't see. Because he did something so unspeakable, that he lost the right to call himself the Doctor. He is the Doctor's greatest secret. And wow. I can't wait for the 50th.
1. Asylum of the Daleks by Steven Moffat from Series 7 -
The only episode that can top the ending to series 7 and the Clara arc is the one that started both. Because quite frankly, Steven Moffat is a genius. Not only does he manage to slip Jenna Louise Coleman in three months and half a dozen episodes before she's supposed to be introduced without anybody catching on, he then only goes and kills her off! The episode sets itself up brilliantly by having the Doctor and a divorced Amy and Rory plucked out of their time streams to save the Daleks from a planet of insane Daleks (how cool does that sound?!) but then the moment straight after the credits where we first see JLC is a moment of brain melting WHAT THE HELL IS SHE DOING THERE?! I was blown away and not only does Coleman appear here, but she steals every single scene she is in and arguably this is as good as she is in Who. The character of Oswin is witty to the extreme, genius and beautiful and guides the Doctor and companions through the failing asylum. The reveal she is in fact a Dalek is both so obvious and yet completely unexpected. You kick yourself for missing it, but it's impossible to guess and utterly heart-breaking. Away from JLC, Matt Smith is on top top form, there are Daleks everywhere, and Karen Gillan has some amazing scenes as the striken Amy, including some brilliant emotional scenes with Arthur Darvill. And all the Daleks forget who the Doctor is. Absolutely priceless and my favourite episode of Doctor Who.
Also, less than two weeks til the return of Big Bang Theory, and less than a week til uni. I'll check back soon with a round up of the weekend's footie, but let's hope we're back on top of the league come Tuesday.